http://diybio.org/
http://www.pellinglab.net/
http://biohackspace.org/
"Do-it-yourself biology is a growing movement in which individuals, communities, and small organisations, study biology and life science using the same methods as traditional research institutions. DIY biology is primarily undertaken by individuals with extensive research training from academia or corporations, who then mentor and oversee other DIY biologists with no formal training. This may be done as a hobby, sometimes called biohacking, as a not-for-profit endeavor for community learning and open-science innovation, or for profit, to start a business."
https://en.wikipedia.org/wiki/Do-it-yourself_biology
http://www.pellinglab.net/
http://biohackspace.org/
"Do-it-yourself biology is a growing movement in which individuals, communities, and small organisations, study biology and life science using the same methods as traditional research institutions. DIY biology is primarily undertaken by individuals with extensive research training from academia or corporations, who then mentor and oversee other DIY biologists with no formal training. This may be done as a hobby, sometimes called biohacking, as a not-for-profit endeavor for community learning and open-science innovation, or for profit, to start a business."
https://en.wikipedia.org/wiki/Do-it-yourself_biology
CUT PASTE GROW encapsulated the cross talk of science, biohacking communities and artworks that todays BioArt encompasses. Such collaborations could become the norm, with the first Dutch Wetlab opening its doors in the Waag last weekend just in time to host the annual European DIYbio meetup. Shiho Fukuhara thinks that “getting access to a fully functioning lab and being able to utilize all it’s tools can be quite a barrier and ‘amateur biohacking’ can help surmount this barrier.” Jalia Essadi believes that “for an artist to truly reflect she needs to engage with the actual materials. These days the knowledge and tools are becoming more accessible. DIYbio labs offer a different approach to the professional environment and a lot of pioneering work in this field will be done in community run biohacking spaces.” However Simon Park is a little more circumspect in his appraisal: “DIYBio and Citizen Science are great, but often it just mimics the work of scientist to allow public access to the process. I think art should offer something more than this, so I don't see DIYBio as art. The diversity of approaches means that the definition of bioart remains accordingly fluid. Andy Gracie, another co-founder of Hackteria, feels that “bioart now includes artists who use biological material as maybe one element of a wider piece of work, not using the manipulation or reappropriation of that material as the sole focus”. Works like Revital Cohen's 'The Immortal' go a step further – all biological matter is deliberately abstracted. A series of life-support machines connect to each other, circulating air and liquids in an attempt to mimic a biological structure. It's a reflection on the dominant, mechanistic, view of life enshrined in todays bioscience, with synthetic biology the most explicit exponent. But where is the art amidst this commentary? Jennifer Willet feels that “bioart is an exploration of life as media through contemporary art”, echoing the additional qualities that an artistic disposition can bring to the life science. Marc Dusseiler and Andy Gracie offered that “art has always been particularly good at confronting complex multiple narratives. Society lags behind the modernized perception of nature which is in place in the life sciences. Bioarts and Biohacking can induce a paradigm shift of how nature is perceived by the public.”
http://www.dazeddigital.com/artsandculture/article/16506/1/bioart-now-%E2%80%93-part-2
Text Stephen Fortune
http://www.dazeddigital.com/artsandculture/article/16506/1/bioart-now-%E2%80%93-part-2
Text Stephen Fortune